When Alex and I bought our 1880s row house back in 2003, our home was in a sad state. It had been owned by a string of bachelors that didn't even change light bulbs when they burned out, let alone keep up with regular maintenance or (gasp) attempt home improvement projects. The last major renovations had taken place in the early to mid 1980s, which included work to our kitchen and two bathrooms.

As 24 and 25 year old "kids" (that's how our neighbors referred to us), we sunk the small savings we had worked to build into the down payment of our home, so the initial improvement budget we were left with was about enough to buy a packet of ramen noodles. But we weren't deterred. So with what little money we had, we knew an inexpensive update to our kitchen and adjacent sun porch was one of the first projects on our list.

What we were dealing with was a beautiful heart pine floor so badly neglected that bare feet in the kitchen meant you'd soon be picking splinters out of your toes. The counter tops were a hunter green laminate (not our choice to begin with) that were scratched and stained. The insufficient lighting consisted of a fugly ceiling fan/light combo that appeared to be no newer than 1970. The cabinets were dark, dated, and lined with a hideous contact paper. The walls were dirty, cracked, and nicotine stained. The tile floor of the sun porch featured a brown, tan and orange pattern that made me want to put on some Bee Gees and get down. All in all, it left a lot to be desired.

We're going to take the next few weeks to reminisce and guide you through the steps we took to transform our kitchen from this...

...to this...


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One of the most frequently asked questions we receive from friends, family, acquaintances, and strangers about our nearly decade long renovation and restoration of our home is really a rather simple question: "Why do you do it yourself?"

This is obviously a very generalized version of the question, since most people asking usually have their own assumptions as to why one would undertake the challenge of completing almost all major and minor tasks associated with home renovation, maintenance, and decoration themselves. And we suppose it's a more polite way of asking "why don't you just hire someone?"

Though the question may be simple, the answer falls into a far more difficult realm. And in reality, our answer has gradually changed over the years. Call it maturity, call it what you will, but we see it as an evolution of an answer.

I'd say the most common assumption as to "why" we DIY because it is less expensive. Some friends or family have even delicately suggested that we do it because we are cheap, miserly, frugal, or any other polite or inventive way to say we're tight asses with our money. Most also assume that if we had more money, we'd do less ourselves.


Boy, I've lost weight since these early days. Yes, that's the same basement as this one...

True story. Over the years we've actually had conversations with people that involved sentences such as, "Why would I do it myself when I have the money to hire someone?" as well as "I remember the days when I had more time than money and used to do projects too." But the reality of our situation is far more convoluted than a simple explanation like that, and it goes all the way back to when we bought our home.


Wendy walking into our house on day #1, 15 minutes after closing.

Even before we started actively looking for a home, and well before we were married, we fell in love with Old Town Alexandria. I know we've said this before, but we just couldn't get over the historic district and its feel. It was so different from where we grew up in the suburbs of Cleveland, and even though it's "city living," Old Town doesn't feel it cold and hard like a major city. We knew we wanted to live here, but the prices in the area were going up like crazy, we were young and just out of school and we had no way to afford the type of house we wanted.


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Comments 13

After the completion of the first two steps of our DIY office desk, completion of the base cabinets as well as our mistake-ridden creation of our office desk's solid cherry surface, we were both relieved to have a desk one could call functional. 

However, functional and complete are two very different things. We still had the whole second piece of the drawing to go. The upper cabinets, down lighting, and transparent shelves were all very necessary elements to achieve a truly completed project.

To this point we had built the desk in sections and installed, assembled, and stained them in place. This had worked well for the lower portion, but the construction of the upper portion meant it all had to be pieced together in place and without fasteners, taken apart, sanded and stained outside of the small office and then pieced back together in place. The final step would then be to construct the face frame as one element and install that as the final piece to the unit. In theory, this would all be a pretty straight forward process, but I knew it would end up far more difficult than it should have been.

I started by using several sheets of the cherry plywood to construct the box of the structure. Each piece had to be scribed to the irregular profile of the exposed brick wall using the jigsaw. This is actually the very reason I purchased the really good jigsaw we have. I knew my old jigsaw would have completely splintered the plywood, and there was no way I was going to let that happen if I could prevent it. (Note the lack of the desktop, I decided to remove it during this phase so I wouldn't damage it.)


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Comments 15

When you own an old house and like to do any sort of work on it, you end up in some pretty dirty and disgusting situations. From cutting holes in plaster to handling insulation, I always seem to be into something that is turning my snot black and face gritty. TMI?

The dirt on my skin is something I can deal with, but the grime that I breathe in can be too much to take. Add the potential health concerns that come with inhaling dust, dirt, or fumes from concrete, paint, stain, or any number of chemicals that we use in our various paint stripping endeavors, and you get something you really shouldn't mess around with. Since day one, protecting our respiratory system has been something that we have been cognizant of when it comes to work on the house. As a result, I want to use this week's Toolbox Tuesday to discuss the respirator mask that we use on any project where poor air quality or the inhalation of airborne particles are a concern.

This is actually something I've been sensitive about for some time. When I was working at a window shop over the summer between high school and college, I had the unpleasant task of removing glazing from about 800 window sash out of a nearly 100 year old building in Cleveland. Though the windows had already been stripped of their paint and their putty softened through the chemical paint removal process, it was up to me to clean away the putty and remove the old panes of glass, hopefully without breaking them.


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Comments 7

About two years ago Wendy and I hosted a Halloween party for our neighborhood. Not only did it mark a celebration of our favorite holiday, but it was also one of the first times many neighbors had seen the changes we had been steadily making to our home over the years.

Many were familiar with the dirty, off white, and slightly rundown version of our house they had seen when it was listed for sale in 2002 before we swooped in. (Everyone loves a good open house.) The party served as our mini reveal from all of our efforts, and we had a wonderful and very positive reponse to everything we had accomplished. The funny thing was that overwhelmingly one of the features people seemed to love and ask the most about was our Whole House Audio solution. One friend and neighbor, Sherry, liked it so much that she wanted to talk about how she could accomplish something similar in her house.

Shorty after the party we got together with Sherry to discuss details of the system, what she wanted out of it, and what she currently had. At the time there wasn't much on the market that didn't require a pretty major effort with lots of construction, so we put the idea on the back burner.

Fast forward to present day...yes, two years later. (Again, I'm slow.) I had not forgotten our conversations with Sherry and decided to put together a plan for how we could make music throughout her house a reality.

With the introduction of the iPad (and other tablets), the rich set of apps in the app store and market places, advancement in technology and availability of Internet streaming music services, and wireless capabilities, it was finally time to get Sherry's system up and running.

Let me first say that Sherry's house is absolutely amazing. I'm not kidding and I really can't oversell this. If we could walk around Old Town and choose any one house to live the rest of our lives in, Sherry's home may very well be it. It was built between the late 18th century (the original rear flounder section) and 1810 (the three story front section). It is large enough to comfortably fit almost any size family, but it isn't overwhelming in its size. It has a rich history, a great flow, wonderful original details throughout, an amazing yard, and a garage. It's one of those houses in Old Town where you just say, "Wow!"

Here's a photo of her house circa 1933.


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